Monday, September 29, 2008

The Happy Hollows is, put simply, transformative...

Vocalist/guitarist Sarah Negahdari wields ominous riffs and finger-tapped arpeggios with skill reminiscent of Mary Timony of Helium while simultaneously singing and wailing like a hyper hybrid of Debbie Harry, Kim Deal and Karen O. Meanwhile, the agile rhythm section of Charles Mahoney (bass/vocals) and Chris Hernandez (drums) vault and lunge with precision.

The band combines innovative song structures, surreal lyrics, and fiercely adept instrumentation to recreate reality into a jagged panorama of vibrant, kaleidoscopic collage. Listening to their music, one cannot help but see visions of a place oddly askew from the world we experience everyday, a parallel universe that is at once whimsical, demented, and ferocious. Among other things, the subjects of their tunes include labyrinths, counterfactual history, palindromes, the colors of the rainbow, time travel, mythical animals, and Tarot cards.

Three years into its existence, The Happy Hollows have put forth Imaginary, an EP that is an amalgamation of contemporary alt-rock, distorted atonality, and exuberant yelp. Produced by David Newton (founding member of C-86 legends The Mighty Lemon Drops and producer of The Little Ones), Imaginary articulates the band’s inherent magic.

Listen:
The Happy Hollows - "Tambourine" (mp3)

"The Happy Hollows are almost as fun conceptually as they are sonically. They've become the latest indie darlings in Silverlake thanks to an almost pugilistic mix of stinging guitars, turbulent rhythms and shouted vocals...The Hollows' clipped pop -- imagine that somebody rewired the Yeah Yeah Yeahs, or squeezed The Pixies into a compact-car parking space: - L.A. Times

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