A Shift from Song to Atmosphere
In a music landscape dominated by immediacy and metrics, Steve Gunn is offering something different. Music for Writers, due August 15 on Three Lobed Recordings, is his first solo instrumental album. It’s not meant to catch you off guard or compete for your attention. Instead, it gently opens a space.
Known for his lyrical storytelling and guitar work in projects with Kurt Vile and Meg Baird, Gunn has built a career on the edge of folk, psychedelia, and improvisation. With this release, he leaves lyrics behind to explore texture, mood, and the quiet resonance of place.
Created Across Continents, Built for Stillness
Gunn recorded Music for Writers in Brooklyn, Berlin, and Latvia, using guitar, synthesizers, and field recordings. The setup was minimal. Much of the sound emerged from the spaces themselves—rooms, windows, weather. Some tracks carry the hush of distant engines, others capture the rhythm of walking with no destination.
“This is a record I’ve been thinking about and wanting to make for a long time,” Gunn said in a recent statement. “It’s rooted in a deep need to pause, to reflect.”
Each piece was developed through close attention. Rather than structured compositions in the traditional sense, the tracks move slowly, often improvisationally, guided by whatever light or silence happened to be in the room.
Not a Soundtrack, but a Companion
From “Pedvale Sunrise” to “Sky (Debesis),” the tracks serve as what Gunn calls “small environments.” They’re not meant to direct emotion or provide answers. They simply exist to be entered and exited as needed. They accompany thought rather than interrupt it.
Mixed by Ernie Indradat and mastered by Carl Saff, the album’s production is intentionally subtle. There are no peaks and drops here. Instead, the record moves like breath—steadily and without insistence.
Three Lobed Recordings: A Perfect Match
Gunn’s choice of label is no coincidence. Three Lobed Recordings, based in North Carolina, has become a trusted outlet for experimental folk, drone, and ambient artists. With past releases from Thurston Moore and Daniel Bachman, it offers a fitting home for a project that values patience over immediacy.
An Invitation to Listen Differently
What makes Music for Writers powerful is its restraint. Gunn doesn’t fill the space; he makes room within it. The album asks for nothing but offers everything: peace, curiosity, a place to think.
“This is music made in both stillness and motion,” Gunn explains. “It listens as much as it speaks.”
In a world full of noise, Music for Writers offers the rare gift of quiet attention. Whether you’re deep in a writing session, staring out the window, or just breathing for a minute, this is music that meets you where you are.